Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Five eleven year olds come together the summer of 1992 at a summer camp on the northern edge of Staten Island, New York. Ten year later the remaining campers of badger cabin return to the place that set forth the rest of their lives. A "This is us" type tv series spanning ten years tells the story of how one person, one summer, one event can change the rest of one's life. It's all very arbitrary and aesthetic and character driven and Lorde's "Ribs" probably plays at one point. Think of Stephen Kings's "IT" but without the clowns and with more slow montages backdropped by indie music and the agony of growing up. ________________________________________________________________________________________________________ “A part of us always remains when we leave somewhere. It is a part we can never reclaim even if we revisit the place for it was never ours to begin with." ― Kamand Kojouri
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