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Known For

Peter Hall is known for:

  • Jacob
    In this inspiring tale from the book of Genesis, young shepherd Jacob (Matthew Modine) falls in love with and wants to marry Rachel (Lara Flynn Boyle), the daughter of his Uncle Laban (Giancarlo Giannini). Lacking a dowry, Jacob toils seven years as his uncle's indentured servant to win Rachel's hand. But calculating Laban dupes him into another seven years of labor. Irene Papas portrays Jacob's iron-willed mother.
  • Perfect Friday
    The deputy manager of a London bank has worked out a way to rob the branch of £200,000. When he becomes involved with the attractive Lady Dorset he decides to go ahead with his plan. He needs her help and that of her philandering spendthrift husband. It all comes down to a matter of trust.
  • Never Talk to Strangers
    Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a cause of this relationship, she changes her personality when she begins to receive anonymous telephone calls.

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Biography

Sir Peter Reginald Frederick Hall CBE (22 November 1930 – 11 September 2017) was an English theatre, opera and film director. His obituary in The Times declared him "the most important figure in British theatre for half a century" and on his death, a Royal National Theatre statement declared that Hall's "influence on the artistic life of Britain in the 20th century was unparalleled". In 2018, the Laurence Olivier Awards, recognising achievements in London theatre, changed the award for Best Director to the Sir Peter Hall Award for Best Director. In 1955, Hall introduced London audiences to the work of Samuel Beckett with the UK premiere of Waiting for Godot. Hall founded the Royal Shakespeare Company (1960–68) and went on to build an international reputation in theatre, opera, film and television. He was director of the National Theatre (1973–88) and artistic director of Glyndebourne Festival Opera (1984–1990). He formed the Peter Hall Company (1998–2011) and became founding director of the Rose Theatre Kingston in 2003. Throughout his career, he was a tenacious champion of public funding for the arts.