
Age: 29
female
Chloë Grace Moretz is an American actress. She began acting as a child, with early roles in the supernatural horror film The Amityville Horror (2005), the drama series Desperate Housewives (2006–07), the supernatural horror film The Eye (2008), the drama film The Poker House (2008), the drama series Dirty Sexy Money (2007–08), the romantic comedy film 500 Days of Summer (2009) and the children's comedy film Diary of a Wimpy Kid (2010). Her breakthrough came in 2010 with her critically acclaimed performances as Hit-Girl in the superhero film Kick-Ass and as a child vampire in the horror film Let Me In. Moretz starred in Martin Scorsese's historical adventure film Hugo (2011), Tim Burton's horror comedy film Dark Shadows (2012), the satirical sitcom 30 Rock (2011-2013), reprised her role as Hit-Girl in Kick-Ass 2 (2013) and portrayed Carrie White in the supernatural horror film Carrie (2013). In 2014, Moretz starred in the award-winning drama film Clouds of Sils Maria (2014), the teen romantic drama If I Stay (2014) and the vigilante action film The Equalizer (2014). She also starred in the mystery thriller film Dark Places (2015), the science fiction action film The 5th Wave (2016) and the comedy film Neighbors 2: Sorority Rising (2016). In 2016, Moretz announced she was "re-assessing" her choice of roles and was dropping out of several projects, including Universal Studios' live-action adaptation of The Little Mermaid. Moretz's following roles include the drama film The Miseducation of Cameron Post (2018), Neil Jordan's drama thriller film Greta (2018), the action horror film Shadow in the Cloud (2020) and the science fiction film Mother/Android (2021). She voiced Wednesday Addams in The Addams Family (2019) and The Addams Family 2 (2021). Moretz's stage work includes her starring role in the original off-Broadway production of The Library (2014) at The Public Theater in New York City.

She is the very thing he’s spent his whole life hunting. He is the very thing she’s spent her whole life pretending to be. Only the extraordinary belong in the kingdom of Ilya—the exceptional, the empowered, the Elites. The powers these Elites have possessed for decades were graciously gifted to them by the Plague, though not all were fortunate enough to both survive the sickness and reap the reward. Those born Ordinary are just that—ordinary. And when the king decreed that all Ordinaries be banished in order to preserve his Elite society, lacking an ability suddenly became a crime—making Paedyn Gray a felon by fate and a thief by necessity. Surviving in the slums as an Ordinary is no simple task, and Paedyn knows this better than most. Having been trained by her father to be overly observant since she was a child, Paedyn poses as a Psychic in the crowded city, blending in with the Elites as best she can in order to stay alive and out of trouble. Easier said than done. When Paeydn unsuspectingly saves one of Ilyas princes, she finds herself thrown into the Purging Trials. The brutal competition exists to showcase the Elites’ powers—the very thing Paedyn lacks. If the Trials and the opponents within them don’t kill her, the prince she’s fighting feelings for certainly will if he discovers what she is—completely Ordinary.
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